Landscapes...hmmmm

Painted this one as a demo in class last week. I do not often choose to paint landscapes so this was a bit of a challenge for me. It is my goal to introduce a lot of different things to my students and allow them to discover what they enjoy working on. It was a challenge and I almost sent it to the scrap heap a couple of times but I suppose it turned out okay; it was, at least, educational sorting out all the midvalue green that muddled me up for a while!

Grounded

This painting was from a stunning reference photo on the WetCanvas Image Library (kudos to the photographer were given on WC, can't find the artist name at present). I had been looking at the work of Winslow Homer, in particular his watercolors from his time in the Bahamas and Florida, and the beachscapes of Charles Reid and began to look for a beach scene. This one really caught my eye and I gave it my best shot. This one is 12x16 on Arches cold-pressed paper. Hope you enjoy, it was a fun change of pace for me.

Garden Stroll

This piece is the last of many attempts to take the ideas I've been developing based on Judy Morris' work and incorporate them into my own painting. While doing a couple of her demo's with relative success, I had been unable to work that great sense of light into my own work without it looking contrived. In "Garden Stroll" I feel that I have finally achieved a level of success that I can be pleased with. The reference photo itself was taken by Canyon Road from Wet Canvas. What caught my eye was the little gato strolling out of the courtyard like he owned the place. Almost left him out but I'm glad I decided to paint him. This is painted on 90lb Fabraino cp paper with various professional grade paints.

A Few Exercises

After enjoying an unexpected Winter Break last week, I am finally able to post some new work. This work finds me in the role of a student. After reading Judy Morris' book, "Watercolor Basics; Light", I found a real connection with what this artist is trying to do. I always liked watching Bruce Neville lay down some very intentional highlights and shadows and that's one of the things that drew me to him as an instructor, so it shouldn't be suprising (to me) that Judy's work resonated with me in a similar way. What I am posting here is a result of following two of the demonstrations that Judy does in her book. I followed here method quite a bit, but still managed to infuse some of my color sensibilites into these. The bird houses are on 14 x 20 fabriano cp paper and the flower box is done of 12x16 arches cp.